Spirit of the Sikh
SPIRIT OF THE SIKH (MEDITATIONS ON
RELIGION and
therefore the SPIRITUAL EXPERIENCE) PART I PURAN SINGH
INTRODUCTORY Spirit of the Sikh, written between 1927 and 1930, is probably the
last work of Professor Puran Singh, unless what consistent with the
statement of his son, the late Raminder Singh, he scribbled on his bedside
charts while laying sick, be taken under consideration. He caught
the fatal disease of tuberculosis during the last years of the last decade of
the twenties; and this assuming the ‘galloping’ character, he gave up the ghost in
March 1931. Puran Singh’s whole life was passed in writing activity which will be
called ‘feverish’ without the implication of a mere metaphor.
A huge mass of
labor poured out from his pen–on the science of
biochemistry during
which he held a professorship at the Imperial Forest
Research Institute, Dehra Dun; English belles-letters dramatic of avid devoutness
to the holy Gurus of Sikhism and their teaching and of warm
humanitarianism. Additionally, towards the last decade of his life curtail so
cruelly, he poured out hose writings in Punjabi, prose, and poetry that have
acquired the status of classics within the language. The
pure and
straightforward breathing of the Spirit of the Sikh is their
religion. It is the life of a
well-blown flower living within the great expanse of sunlight or moonlight,
elevated in
particular pain of goodness.
Professor Puran Singh collected three
categories of Punjabi Poetry as Khule Maidan, Khule Ghund, and Khule Asmani
Rang. His poetry was composed in vers libre and explored
the experience of villagers, peasants, and therefore the poor. Amid
his style writing published works are The Book of Ten Masters, The Spirit Born
People, Swami Rama in English and Khulle Lekh in Punjabi, and Kanya Daan te hor
Lekh in Hindi.
The total mass of what he wrote is actually astounding
and it'd be
said that his entire working life was dedicated to writing,
while little the question in his sleeping hours his mind must have
lived together
with his themes in dreams.
The problem with Diljit by RP Singh
On the latest visit to Punjab, I found the
Coca-Cola ads of Diljit Dosanjh everywhere. Twelve years back, I remember Daler
Mehndi was on those
Coke ads, and therefore the discussions I had then are beginning to resurface
now…about how it’s so great to possess a Sikh model like Diljit wearing
a dastaar, “but” it sure would be nice if he were a “saabat surat” Sikh with a
full dhari.
On the one hand, I get it. Even if, I don’t actually look out for his movies or hear his music, my time in Punjab obviously demonstrated
the influence Diljit has on popular culture. Numerous of the young Sikh boys I observed
wearing dastaars worked hard to rival his look – there have been Diljits
everywhere. There
is little question he's a task model to several.
So naturally, as a Sikh parent, wouldn’t I would like my
child’s model to
reflect the
design I would like my child to have? Of course!
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